Monday, July 21, 2014

Field to Studio Workshop

I had the pleasure of attending a three day workshop last week at Emerald Art Center with artist
focusing on "Field to Studio" work.

We started our journey in the classroom working with photographs, studying compostition by doing studies of shapes and values, then simplified it by doing a notan. We then could see if our composition would work well to use in a painting. 
We packed up our supplies and went out on location to put this skill into practice, then to take it one more step by doing a color study out in the field.



Marianne did an inspiring demo for us,
and gave us valuable help and encouragement.
Day 2 we met at Delta Ponds City Park for more field study work.


We shared the time with the wildlife while doing our studies.

This was a first for me. A RED dragonfly!
This Blue Heron was in site the entire time I was there working on my scene.

With this field work complete, we headed back to the classroom to learn about underpainting techniques and to paint a painting using our studies as reference.
I started a 9x12" painting using a watercolor underpainting on mounted white Wallis sanded paper,
then continued to explore this compostion with my pastels.

Then on Day 3 in the classroom,
 Marianne did a underpainting demo using hard pastels and alcohol.

 Using my field studies from Day 1 at Delta Ponds City Park,
I layed in an underpainting, layer by layer with alcohol.

A completed underpainting to continue to explore with pastels....

So much information was shared, along with inspiration and skills to continue this art journey
with a sharpened artists eye!

 Thank you Marianne!
Visit Marianne's website
at
http://www.mariannepoststudio.com/


Thank you
 Emerald Art Center 
for offering workshops with wonderful artist's who are also great teachers!


Sunday, July 13, 2014

Trust The Journey

TRUST THE JOURNEY
24 X 9"
PASTEL

Now showing and available for purchase
 at the A.N. Bush Gallery upstairs at 
Bush Barn Art Center
through August 22, 2014
as part of the 


Sunday, July 6, 2014

When to call it finished....

It's one of those things an artist is asked.....
"How do you decide when it's finished?"
Well, the truth is, sometimes I just say "it's finished",
and then there are those times when I just can't leave it alone.
I just have to keep going back thinking there might be another touch that will make it better.
That sometimes gets me in trouble of overworking it!
On the flip side, it can sometimes take on a new life.

I have been working on finishing two paintings this weekend.

The first one is the piece started at Barn Owl Nursery last weekend.
It was a very overcast gray day. 
No sunshine or shadows.
I started with my usual liquid acrylic underpainting
 So here is that beginning and sometimes ugly awkward stage in the process.
This is when I walk away and stand back several feet from my easel to get a different perspective.
It makes it easier to see shapes and values, and helps my eye to know where to go next.

Here is what I went home with on the first day of painting....
 Hmmmm......what to do.,....
I see a good composition happening, however it already has a feeling of being overworked.
Maybe too much blending?
Maybe I was just too tentitive with my mark-making.
It doesn't have the energy that I would like to show in my work.

So setting up an outdoor studio with my friend Denise on the
4th of July
was my opportunity to re-visit this painting and I brought along some others as well.

Being outdoors, I chose to brush off alot of the pastel
and try again with bolder strokes, colors and values.




 I decided to do a little dusting and add some marks similar in color.
Not all of the dusting is still showing in the final painting.
I consider that a good thing. 
A little bit is fun and expressive.

So, after adding more touches here and there,
I'm calling it finished!
PATIENCE AND UNDERSTANDING
17 X 11"


The second painting was started on location
 at one of the recent visits to Deepwood Gardens.
After the loose, liquid acylic underpainting 
I didn't hesitate to move right into applying pastels.
 I was very happy with what I came home with that day,
even though it was unfinished.
This piece had spontaneous marks, made with purpose.
This is the energy that I like to see!
I revisited it this weekend and had no struggles finishing this one.

 Here are some of the views that I had to look at
 for reference while painting at the gardens.
 Looking back on that day at Deepwood,
 I had spent time "loosening up" before I started this piece.
That could have alot to do with my ability to have had more success with my final painting.
 Denise and I started by doing some sketches in the lower gardens, in the shade.
 I moved from my sketch to doing a small study.

 These colorful zinnias were speaking to me!
I got a cheerful underpainting done,
then it was time for a lunch break with
 Deanna and Leslie joining us for the afternoon.
We moved painting locations, and got back to work.

A walk through the grounds with Rachel, Lily and Gracie
was the perfect way to finish the visit to 
on a sunny summer day!




I good lesson was learned from these painting experiences.
I will take time to do some sketching and small studies when going out to paint!

IN SUNSHINE & SHADE
17 X 11"